Colstoun Arts Collection
The Colstoun Arts Collection is conceived as a living archive devoted to the evolving dialogue between art and nature. Guided by the founding vision of establishing the first UK museum dedicated to this vital intersection, the collection brings together works by artists of diverse backgrounds, practices and generations, united by their exploration of the natural world and humanity’s place within it.
Over a fifteen-year horizon, Colstoun Arts is committed to assembling a body of work that is both reflective and forward-looking—embracing painting, sculpture, installation, and photography —while fostering conversations that transcend geography and discipline. In keeping with its role as a resource for artists, curators and audiences, most of the collection remains actively available for loan to institutions and exhibitions worldwide, extending Colstoun’s ethos of exchange, collaboration and accessibility.
This ambition situates the collection not only as a future museum, but also as a dynamic and generative force in the present, one that seeks to continually deepen the bond between artistic practice and the natural world.
please note that the Colstoun Arts Collection is different to the Colstoun Estate Art Collection which includes all Dalhousie Family related art for enquiries relating to this collection please contact Colstoun Estate directly.

Selected Collection Artists
Luke Alen-Buckley
Raffael Bader
James Dearlove
Dame Tracy Emin (RA)
Robin Friend
Joe Grieve
Georgina Groocock
Ava Haggas
Suhaylah Hamid
Orla Kane
Rose Elektra Harris
Pro Hart
Damien Hirst
Jen Hitchings
Ioanna Limniou
Kathryn Lynch
Carolina Mazzolari
James Mortimer
Angélique Nagovskaya
Evie O’Connor
Peter Randall-Page (RA)
Marina Renee-Cemmick
Conrad Shawcross (RA)
Luke Silva
Corri-Lynn Tetz
Gavin Turk
Lara Cobden
Rob & Nick Carter
FAQs
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At the heart of Colstoun Arts lies the ambition to build a collection of international calibre that reflects the dialogue between art, nature, landscape, and temporality. Over the next fifteen years, our aim is to develop a museum-scale collection that both honours Scotland’s cultural heritage and situates it in conversation with global contemporary practice. This collection will be distinctive, with a focus on nature inspired works, and will form the basis of a legacy that reinforces Colstoun as a serious cultural institution.
The guiding principle of the collection is to acquire works that embody the Colstoun ethos: each piece must contribute to the ongoing conversation between art and the natural world. Our strategy begins with a commitment to the artists who come into direct contact with the house and grounds. Each residency has a specific role to play in terms of donated works and acquisitions and is taken on an artist by artists basis. Colstoun Arts will additionally pursue acquisitions that strengthen thematic anchors, particularly those that engage with trees, storms, seascape, upland landscape and ecological cycles, while simultaneously situating Scottish artists alongside international voices.
The growth of the collection will be phased. For the previous 5 years Colstoun Arts has been focused on the acquisition of residency artists and British emerging artists. For the subsequent 5 years, acquisitions will focus primarily on mid-career and early-career artists, often drawn from residency programmes and collaborative exhibitions. As the collection continues to develop in the middle 5 years, mid-career and blue-chip acquisitions will be made to anchor the holdings within a broader art historical context. By the final 5 years of the primary acquisition phase, Colstoun Arts will seek to secure legacy-defining works of museum quality, establishing a centrepiece group of works that underscore the collection’s international importance. A balance across mediums will be maintained, with painting and sculpture forming the foundation, complemented by photography, video, installation, and carefully documented site-specific works.
Financial sustainability underpins this strategy, the commercial activities of Colstoun Arts determines the scale and ambition of the Collection Strategy. Annual acquisition budgets will be defined and scaled according to Colstoun Arts financial performance. Works will be acquired through a combination of primary gallery acquisitions, direct purchase, residency agreements, and, where appropriate, the secondary market. Over time, Colstoun will also consider deaccessioning works that no longer align with its vision, ensuring that the collection remains coherent and relevant.
The legacy of the collection will not be confined to physical works alone. A digital catalogue will be developed, featuring images, texts, and residency records, allowing the collection to be searchable and accessible to a global audience. Scholarly writing will be commissioned throughout the process, ensuring that the collection is also recognised as a body of research and critical thought. In time, the ambition is to establish a dedicated museum space at Colstoun or in partnership with another institution, housing the collection permanently and opening it to the public. In parallel, Colstoun will continue to deliver open days, guided tours, and educational programming that situates the collection as a vital part of Scotland’s cultural landscape.
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Colstoun Arts has a proactive loaning policy for a majority of works. only a selection of works by a limited number of artists are unavailable for loan. If you would like to loan a work for your exhibition please send a contact request via the website. please state the nature, duration and expected dates of your upcoming exhibition and why a work by this artist would contribute positively to your exhibition.
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Colstoun Arts is not a charity and as such certain complexities arise when you wish to donate a work to the collection. However we welcome conversations about any works that may wish to be donated to the collection.