Evie O’Connor - Colstoun Works

During her residency at Colstoun House in 2025, Evie O’Connor (b. 1993, Derbyshire, UK) developed a series of landscape paintings that expand her ongoing exploration of class, aspiration, and the visual codes that underpin British identity. Immersed in the farmland and historic parkland surrounding Colstoun, O’Connor turned her attention to the view—an inheritance in itself—where centuries of ownership and taste are inscribed upon the land. The works, begun in situ and later completed at her studio in Glossop, Derbyshire. ‘Colstoun Works’ is a subtle but penetrating dialogue between artist and estate, observation and possession.

Working across panel, canvas, and found objects gathered from within the house and its grounds, O’Connor binds her material practice to place. Known for her works on panel and canvas the addition of found surfaces carry traces of domestic that are recontextualised as a precious work. Her wryly titled works draw attention to the performative language of privilege, echoing the self-conscious understatement of Britain’s upper classes. Each title shifts the viewer’s relationship to the landscape depicted, revealing how even beautiful countryside scenes can be a stage upon which class and control are rehearsed.

O’Connor’s landscapes are quiet yet charged: restrained compositions of fields and hedgerows are rendered with an awareness of both their serenity and their symbolism. Her muted palette and deliberate repetition of viewpoints suggest a meditation on environment and entitlement—the persistent structures that shape what we see and value. In these works, beauty becomes inseparable from history; the landscape itself a reflection of social order and privilege as much as of nature.

At Colstoun, O’Connor refines her critique not through confrontation but through poise. The result is a series that hovers between admiration and inquiry, the pastoral and the political—a body of work that considers what it means to look upon land that has long been owned, named, and painted by others.

For information on available works and a catalogue please contact mclean@colstoun.co.uk

Evie O'Connor in a blazer and jeans looking at a framed painting of a green golf course near a fireplace with a mantle displaying several other paintings, with warm sunlight casting shadows across the room.

Works on Canvas & Panel

"The Political Pastoral" - Anna Souter

Under a peach-clouded sky, the last rays of a setting sun touch the edges of a shadowy field, illuminating the faint streak of a body of water near the horizon. Silhouetted trees loom uncertainly at the boundaries and the silver flash of a stream meanders through the foreground. The scene might be taken for an uncomplicated pastoral idyll were it not for its title: “Money is thicker than blood”.

Inspired by her time spent on residency on the historic estate surrounding Colstoun, Evie O’Connor’s small-scale landscape paintings play out a nuanced meditation on the interweavings of class and land, politics and places. Although her works are unpopulated by human figures, the contours of the sites delineated in her paintings are formed in large part by human intervention; sculpted, as O’Connor’s title reminds us, by the complex interconnected forces of capital and bloodlines.

There is a jarring but potent poetry to O’Connor’s juxtaposition of small, subtle and serene landscape works with titles that could read as a challenge or provocation: “Thick and Rich” reads one, accompanying an image in which a footpath winds through a field of ripe wheat under a blue summer sky. Although the works initially feel tinged with nostalgia – for an endless summer or a perfect sunset perhaps – they also quietly ask unsettling questions about who has access to such places, who determines the ways in which their beauty is formed and understood, and who is able to create the memories that have coalesced over the centuries to form a widely shared but little interrogated understanding of the British countryside.

Works on Found Objects

About Evie O’Connor

Evie O’Connor (b. 1993, Glossop, Derbyshire) has established herself as a distinctive painters, known for her incisive depictions of class, aspiration, and the textures of British life. After completing a Masters of Letters in Fine Art Painting at the Glasgow School of Art in 2018, following earlier studies in fashion textiles at the London College of Fashion, O’Connor quickly gained recognition for her acute sensitivity to surface, pattern, and social codes.

Her work has been exhibited widely across the UK and internationally, with solo exhibitions including You Are Here (Glossop Train Station, 2024), The Gulf (Taymour Grahne Projects, London, 2023), Pay to Play (Maruani Mercier, Belgium, 2022), and Hyperreality (Galeria Pelaires, Mallorca, 2021). These exhibitions have been noted for their sharp observations and quietly subversive depictions of contemporary life, drawing critical attention for O’Connor’s ability to fuse the formal elegance of painting with a sociological awareness of her subjects.

Her inclusion in group shows such as London Painters at Half Gallery, New York (2023), Mirror, Mirror at Kristin Hjellegjerde Gallery, London (2024), and EN-GER-LAND at OOF Gallery (2021) further cemented her reputation among a generation of artists exploring the intersections of identity, domesticity, and modern Britishness.

Residencies at the Sarabande Foundation (2020–21) and OOF Gallery (2021–22) provided crucial space for the development of her practice. Her publications, including The Gulf (2023) and Care (ICA, 2018), extend her practice into the discursive realm, reflecting on care, labour, and the cultural narratives embedded in the everyday.

Critics have praised O’Connor’s ability to render the familiar uncanny, with reviews noting her painterly precision and nuanced approach to depicting the psychological undercurrents of class and aspiration. Across her growing body of work, she has developed a distinctly British visual language—introspective, elegant, and quietly political—that continues to resonate with both audiences and institutions alike.

CV & Selected Exhibitions

b. 1993. Glossop, Derbyshire

Education

2018 Masters of Letters, Fine Art Painting, Glasgow School of Art

2015 BA (Hons) Fashion Textiles, London College of Fashion

2012 Art & Design Foundation Diploma, Manchester School of Art

 

Solo exhibitions

2024 You are here, Glossop Train Station, Derbyshire

2023 The Gulf, Taymour Grahne Projects, London

2022 Pay to Play, Maruani Mercier, Belgium

2021 Hyperreality, Galeria Pelaires, Mallorca

2021 What Will Become of Us?, Taymour Grahne Projects, London 

Selected group shows

2025 Perennial, Haarlem Artspace, Wirksworth

2025 Patchwork, STAT, Leigh

2024 Mirror, Mirror, Kristin Hjellegjerde Gallery, London

2022 Landscape, Woaw Gallery, Hong Kong

2021 Served, Sarabande: The Lee Alexander McQueen Foundation

Residencies

2025 Colstoun Arts, East Lothian, Scotland

2021-2022 OOF Gallery, London

2020-2021 Sarabande: The Lee Alexander McQueen Foundation

2018 Spare Room, Waterloo, Merseyside

2017 Dumfries House, Cumnock

Publications

2023 The Gulf, supported by Taymour Grahne Projects, London

2018 Care, published by the Institute of Contemporary Arts, London